Mark Burnett's Resurrection Movie

Hollywood's Bible Power Couple is back again – with a flourish.

They really take this spiritual stuff seriously.  In 2012, my wife and I attended a dinner in Washington, DC, where actress Roma Downey (Touched by an Angel) announced that she and producer-husband Mark Burnett (Survivor, Shark Tank, The Voice) planned to devote the rest of their careers to creating works that honor God.

They were heading to Morocco to film a series on the Bible for the History Channel.  After dinner, Burnett enthusiastically described his vision to present Jesus "as strong—powerful, impressive."  2013's The Bible series drew 100 million viewers.  The couple's 2014 Son of God feature film garnered significant box-office success.  In 2016, their Ben-Hur portrayed a biblically-themed fictional classic.

Angst and adventure

Now in 2021, they're bringing the story of Jesus' crucifixion and resurrection to home streaming.  Their dramatic Resurrection, originally intended for theater release, has made a COVID-era pivot to communicate the personal angst and adventure of those crucial days to a global audience.  It debuts March 27 on Discovery+. 

This film is apt Easter fare.  Early on, we see Peter, Jesus' disciple, breathlessly running to watch Jesus' appearance before Caiaphas, the high priest, who accuses Jesus of blasphemy deserving of death for claiming to be the Messiah.  A woman points out Peter as one of the Nazarene's followers.  Peter denies it vehemently, then realizes he's failed the leader to whom he'd pledged his life.

The drama conveys conflicts – internal and external – well known to aficionados of the classic accounts, leavened with some speculative dialogue to develop the story for the screen.  Peter struggles with the guilt of his denial, as does Judas with his betrayal.  Roman governor Pontius Pilate and his wife argue over the wisdom of crucifying Jesus.  "Killing him won't be the end of him," she warns.  But Caiaphas predicts, "The Nazarene's doctrine will decompose with his corpse."

After the crucifixion and burial, Jesus' grieving followers wrestle among themselves with whether they should believe Jesus' prediction of his resurrection.  He had told them, "The Son of Man must suffer many things … and be killed and be raised up on the third day."

The high priest appeals to Pilate to seal and guard the tomb, lest the disciples steal the body and perpetrate a resurrection hoax.  Pilate remarks that "Roman crucifixion really doesn't allow for [resurrections]."  The screenwriters' deadpan worked for me.

The un-narrated presentation assumes a basic familiarity with the characters and story.  A quick read of a biblical account before watching could enhance the viewing experience.  I recommend the final three chapters of either, Matthew, Mark, Luke or John).  And as you view, watch for the angel.  Way cool.

As with their earlier biblical projects, Burnett and Downey sought to be faithful to the spirit of the Bible. They take typical filmmaking liberties – combining events and condensing timelines – to represent the gist of the story without changing its basic message. 

Racial and ethnic diversity

The cast is racially and ethnically diverse.  "Christianity is among the most diverse movements in history," notes Downey, "so … it was important to us to find a cast as diverse and beautiful as the church is around the world. … We hope that people see themselves [in the performances]." 

Cast members hail from multiple nations.  Juan Pablo di Pace (Argentina) plays Jesus; Babou Ceesay (Gambia) is John; Chipo Chung (Zimbabwe) is Mary Magdalene.

Nothing and everything

A significant exchange foreshadows Jesus' lasting and global impact.  When Peter and John emerge from his empty tomb on Sunday morning, Mary Magdalene asks, "What did you find?" 

"Nothing," John replies.  "We found nothing.  And everything." 

Burnett and Downey are bringing timeless, inspiring stories about the "and everything" to millions of homes and hearts.  Their wide audience is well deserved.

www.lightworkers.com     Debuts March 27 on Discovery+

©2021 Rusty Wright